Friday, January 30, 2015

Live Set From 1978 Leads Year-Long Celebration Of Bob Marley's 70th Birthday

Celebrating what would have been Bob Marley’s 70th birthday, a variety of releases and events to commemorate the legend, his work and iconic impact will be unveiled in 2015.  Over the course of the year, his legacy will be remembered by new releases of rare and unreleased material as well as fan favorite deluxe editions of his most memorable work.  The first release will be available on February 17.   

Bob Marley & The Wailers' Easy Skanking In Boston ’78 features two historic live shows from Boston’s Music Hall, June 8, 1978.  This new and unreleased performance  is from the Marley family giving unprecedented access for the first time to their  personal material from their private collections and their vaults. The album will be available on Blu-ray/CD combo pack as well as DVD/CD and standalone CD versions.  Additional newly created animated material will also be a part of this release, marking the first time the family has incorporated this technology into any official Marley releases.

The video footage was shot with a hand-held camera by a fan that Marley allowed to sit right in front of the stage. The result is remarkable imagery that captures Marley from just a few feet away, allowing one to experience the intimacy of his set.  While the cinematographer was shooting with film and forced to change rolls of tape, the gaps in the live footage have been augmented with specially created animation over the existing audio. The animation video elements were produced and created by the animation team of S77, whose credits include recent projects for Bruno Mars, Pearl Jam, Red Hot Chili Peppers, Disney, ESPN and many others. The 46-minute video includes seven of the 13 songs in the full set.

Highlights of the performance include a lively “Jammin’” and “The Heathen,” a song Marley and the band didn’t perform during the second set. The show features them at their most comfortable, truly enjoying themselves in the spotlight, basking in the appreciation of the audience.

Marley, a Rock and Roll Hall of Fame inductee, is notable not only as the man who put reggae on the global map, but, as a statesman in his native Jamaica, he famously brought together the country’s warring factions — symbolized by rival politicians Michael Manley and Edward Siega joining hands on-stage -- during his legendary “One Love Peace Concert” in Kingston, which took place on April 22, 1978, less than six weeks before this Music Hall performance in Boston. It was five years since Marley and the band arrived from Jamaica, with the 1977 release of Exodus, recorded in London just after an assassination attempt on his life, turned into not just a socio-political statement, but one which included such hits as the title track, “Waiting In Vain” and “One Love,” paving the way for their next release Kaya and a world tour in ’78.  Together with his music’s theme of liberation, Marley’s own rags-to-riches story brought inspiration to subjugated people around the world, where he was revered as a larger-than-life leader.

Today, Bob Marley remains one of the 20th century’s most important and influential entertainment icons. Marley’s lifestyle and music continue to inspire new generations as his legacy lives on through his music. In the digital era, he has the second-highest social media following of any posthumous celebrity, with the official Bob Marley Facebook page drawing more than 74 million fans, ranking it among the Top 20 of all Facebook pages and Top 10 among celebrity pages. Marley’s music catalog has sold millions of albums worldwide

Thirty years after its original release, Bob Marley & The Wailers’, Legend, shared the top of the charts, holding the No. 5 spot on Billboard’s 200 Album Chart among Maroon 5 (#1), Jeezy (#2), Guardians of the Galaxy Soundtrack (#3), and Ariana Grande (#4). LEGEND also holds the distinction of being the longest-charting album in the history of Billboard magazine’s Catalog Albums chart and remains the world’s best-selling reggae album. Marley’s accolades include inductions into the Rock and Roll Hall of Fame (1994) and ASCAP Songwriters Hall of Fame (2010), a GRAMMY® Lifetime Achievement Award (2001), multiple entries in the GRAMMY® Hall Of Fame, and a star on the Hollywood Walk of Fame (2001).  For more information visit: and

Here's the set listing for the Bob Marley & The Wailers' Easy Skanking In Boston ’78 CD:

1. Slave Driver
2. Burnin' and Lootin
3. Them Belly Full
4. The Heathen
5. Rebel Music
6. I Shot the Sheriff
7. Easy Skanking
8. No Woman, No Cry
9. Lively Up Yourself
10. Jammin'
11. War/No More Trouble
12. Get Up Stand Up
13. Exodus
TRT: 1:15:17

Here's the set listing for the Bob Marley & The Wailers' Easy Skanking In Boston ’78 Blu-Ray/DVD:

1. Rebel Music
2. I Shot the Sheriff
3. No Woman, No Cry
4. Lively Up Yourself
5. Jamming
6. War/No More Trouble
7. Exodus
TRT approx. 46min

And here's the complete list of the performers on Bob Marley & The Wailers' Easy Skanking In Boston ’78:

Bob Marley - vocals, guitar
Carlton Barrett – drums
Aston Barrett – bass
Marcia Griffiths - backup vocals
Rita Marley - backup vocals
Judy Mowatt - backup vocals
Tyrone Downie – keyboards
Alvin Patterson – percussion
Julian Marvin - lead guitar

Thursday, January 29, 2015

Black Sabbath Bassist Geezer Butler Arrested After Bar Brawl

Black Sabbath bassist Geezer Butler was arrested last night in California after a bar fight, police said.

Officers were called to the Corkscrew Saloon on the Furnace Creek Ranch in Death Valley National Park shortly after midnight on Tuesday, January 28.

Inyo County Sheriff's Office said Terence Michael Butler, 65, was arrested for misdemeanour assault, public intoxication and vandalism.

He was released after "detox and citation", police said.

The Californian police department said an argument escalated into "a physical confrontation", resulting in an individual being struck and a window being broken.

Police gave Birmingham-born Butler's address as Beverly Hills, California.

Wednesday, January 28, 2015

Sly Stone Wins $5 Million Verdict Against Former Manager & Attorney

Sly Stone, singer and songwriter for Sly & The Family Stone, has been awarded $5 million by a Los Angeles jury in his lawsuit against a former manager and attorney he claimed diverted royalties from his music for their own benefit.

The Los Angeles Superior Court announced its verdict on Tuesday, after two days of deliberations.

Stone’s litigation, filed under his real name Sylvester Stewart, involved millions of dollars in royalties and stretched over almost five years.

He filed suit in 2010, claiming that manager Gerald Goldstein and attorney Glenn Stone in the late 1980s induced him to sign an employment and shareholder agreement with Even Street Prods., but that they instead used the arrangement to divert millions in royalties, leaving him unable to get the money he said was due him.

The jury awarded $2.5 million in damages against Even St. Productions, $2.45 million against Goldstein and $50,000 against attorney Glenn Stone.

“It was a classic case of Hollywood accounting, but I guess it would have to be called record industry accounting,” said Nick Hornberger of Hornberger Law Corp., the lead attorney for the singer.

The jury, he said, “sent a very clear message.”

Gregory Bodell of Kozberg & Bodell, lead attorney for the defendants, said via e-mail that the jury found that Sly Stone was underpaid by $2.5 million under the employment agreement with Even St. Prods., and that the money was paid instead to Goldstein and Stone.

“We are disappointed in the finding and believe it will be changed by further proceedings,” Bodell said.

Stone, whose real name is Sylvester Stewart, testified that he had not received any royalty payments between 1989 and 2000.

But attorneys for Goldstein and Glenn Stone contended that the singer was paid millions, but broke an agreement to make new records. They claim that the singer was not tricked into signing the contract, but was aware of the terms and renewed the agreement 40 times over 15 years between 1994 and 2006.

Tuesday, January 27, 2015

Global Music Industry Comes Together For Record Breaking NAMM Show

As the music products industry returns home to 100 countries worldwide, they leave the 2015 NAMM Show empowered with fresh ideas and products to amplify the power of music. Held January 22-25, NAMM welcomed a record number of exhibitors to Anaheim. Major product debuts, a bumper crop of new-to-NAMM exhibitors paired with engaging thought-leaders created what many NAMM members called the freshest NAMM Show in years.

“In an unpredictable and chaotic marketplace, the NAMM Show has become the reliable and predictable platform where our members can come for business, education and inspiration,” said NAMM President and CEO Joe Lamond. “From fledgling entrepreneurs to the most established brands, everyone here has an equal shot. The industry showed up with unparalleled energy and we hope they are leaving better prepared for success in the new year.”

As the number of musical tribes attending NAMM expands, this year’s edition grew to the largest and most inclusive event in the National Association of Music Merchants’ (NAMM) 114-year history. A record 1,621 exhibiting companies brought their entrepreneurial spirit to Anaheim. That energy was palatable, as the show saw a 6% increase in exhibiting companies over 2014’s event making for the largest NAMM Show exhibitor line up ever.

A mix of NAMM member buyers, exhibitors and their invited guests, NAMM’s Generation Next and Music Education Day participants (college music students and school music teachers) along with media resulted in in a record 99,342 NAMM Show registrants, the largest gathering in NAMM Show history. An 11% increase in international registration and a 2% increase in buyer numbers also made it the most diverse.

Even NAMM Show vets with decades of exhibiting under their belts hopped from their booths to note the heavy stream of buyers. “Our traffic flow has been much higher than the last few years, and while attendance is clearly up these are quality visits, not just quantity. Dealers are here to make decisions on purchases, see what's new, but also to learn about ways that we can help them grow,” Terry West, president and CEO of Pearl Corporation.

While products rule the show floor, it’s the face-to-face opportunities that draw the industry together. “I've had the most honest, straightforward conversations with vendors on where we can take our business. Brands are here figuring out how we can work together beyond products. I've never worked harder,” said Gayle Beacock, Co-Owner of Beacock Music in Washington. “Coming out of this show, I have a very clear plan and solidified direction.”

For buyers worldwide, NAMM is the ultimate music store with limitless opportunities for growth. “I tour the show floor imagining that I am a customer in my own shop—what things jump out at me—because if it evokes a reaction in me, chances are it’s going to evoke a reaction on the part of my customer,” said Monster Music’s Brian Reardon of Levittown, NY.

New Brands Abound

The number of new exhibiting companies more than doubled from 2014, as 331 companies showed at NAMM for the first time. These new brands made up 18% of the total exhibit count, bringing a fresh sense of wonderment to the NAMM Show.

“We’re seeing innovation and change everywhere – especially at this year’s NAMM with the big guys releasing major new products and the infant industry of brands we’d never heard jumping right in the mix with them. Many products are going back to the old school, touch-sensitivity. People are here turning knobs and using instruments outside of the computer,” Peter Dods, Owner of Easy Music Center, Oahu, Hawaii.

Part of the hands-on resurgence Dods refers to can be credited to the hundreds of modular synthesizer brands popping up throughout the show. “It's our first time showing together as a community. We are here to personally educate people that are interested in modular synthesizers, so that it’s not too intimidating. Products like modular synthesizers you have to see in person to make a buying decision,” said Cyrus "Cyrusrex” Makarechian, owner of MuffWiggler.

Major Announcements

NAMM opened to a flurry of headline grabbing product announcements from exhibitors including Korg, Moog and more. Avid used the NAMM platform to make a major announcement on day one. “We’re able to see all of our audiences at NAMM from students to studios to major media companies, engineers and producers,” said Jennifer Smith, CMO, Avid. To amplify their reach across NAMM audiences Avid featured demos with musical icons including Dave Mustaine, Butch Vig and Randy Jackson.

A Global Marketplace

The NAMM Show’s global stature grew with 13,208 international registrants traveling to Anaheim from abroad, an 11% increase over 2014. International exhibitors topped 600 companies in search of new opportunities. “We feel we are producing a world-class product and this is a world-class show," said Albi Merz of Switzerland’s Soultool Customized Guitars. “The buyers and the people we want to see – they are right here at NAMM.”

The world’s most prominent retailers travel to NAMM to forecast trends. “Compared to 10 or 20 years ago, there is an increasing presence of new areas besides traditional music. You can feel the change of the music scene every year by coming to the show, and you can convey that change to the retail customers in the Japanese market. That is why I come to the NAMM Show every year,” said Mototsugu Shimamura, Chairman of Shimamura Music Corporation, Japan’s largest music instrument retailer.

From the other side of the globe, Robert Wilson of the U.K.’s Sound Technology also taps into trends at NAMM. “We attend the NAMM Show to find out what the latest trends are and to generally stay abreast of the industry—it’s a very quick-changing industry. This is the place, the environment made especially for checking in.”

Full Days and Nights

Iconic guests shared insights that the industry will be quoting for years to come. Where other than NAMM does the day start with Woz and close with Slash on the same stage?

Apple Co-founder Steve Wozniak shared passionate insights laced with humor to the best-attended NAMM U session in history. Chris Stuenkel, a buyer for Austin bazaar noted that Woz’s session "Inspires you to see what you can do, what a big impact you can have.” Moby not only picked up the Music For Life Award, NAMM’s highest honor, but also shared straightforward thoughts on the creative process with college students. Evening award events from the 30th Annual NAMM TEC Awards featuring Slash and Nathan East to the She Rocks Awards featuring Colbie Caillat and The Bangles added to the star-studded trade show’s allure.

As Woz said during his breakfast chat with Joe Lamond, “Music is like a magic dust bringing love to people.” The industry returns home from a busy NAMM Show with a sprinkling of magic dust, and a renewed love for the business of music.

Looking Forward

Keep the momentum going in Nashville when Summer NAMM returns to the beautiful Music City Center July 9-11. Global growth opportunities abound at NAMM Musikmesse Russia, September 10-13 and ProLight + Sound NAMM Russia, September 10-12. The NAMM Show returns to Anaheim January 21-24, 2016.

Monday, January 26, 2015

Slash Wins Les Paul Award At 30th Annual NAMM TEC Awards

Guitarists Orianthi, Jeff 'Skunk' Baxter, Slash and Richie Sambora jam at the NAMM TEC Awards  
(Photo by Jesse Grant/Getty Images for NAMM)

Recording, audio and music industry professionals honor excellence in sound technology and creativity at the 30th Annual NAMM TEC AWARDS, held January 24 in Anaheim, Calif. The professional audio and music production industry's most prestigious awards celebrate excellence in 30 creative and technical achievement categories. The awards are held annually during the NAMM Show, the world’s leading global music industry trade event, which draws more than 95,000 members of the music products industry to Anaheim.

“The people and products that were nominated at this year's TEC Awards, especially on this milestone 30th anniversary, deserve our respect and admiration,” said Joe Lamond, president and CEO of NAMM. “And those select few who have gone home with a coveted TEC Award have set a high bar for the industry. These are the tools and sounds that will shape the music we will be listening to for years to come.”

Winners in the creative category include the production team behind the #1 hit song “Happy” from Pharrell Williams, audio production experts from the hit film Gravity and sound professionals in the tour/event category for Sting & Paul Simon: On Stage Tour, among others.

Everything from wireless technology to software and an earpiece technology company were recognized in the evening’s technical achievement categories. Native Instrument’s Razor 1.5 instrument software nabbed the top spot for Musical Instrument Software, while Shure’s GLXD6 Guitar Pedal Receiver with Tuner edged out competitors in Wireless Technology. Other winners in technical achievement include DPA Microphones’ d:screet Necklace, honored for Sound Reinforcement.

Comedian and musician, Sinbad served as the evening’s host. Bassist Nathan East and iconic music engineer Ed Cherney were inducted into the NAMM TEC Awards Hall of Fame.

Iconic guitarist Slash received the evening’s highest honor, the Les Paul Award, named for the revolutionary inventor and esteemed musician. The award recognizes individuals or institutions that have set the highest standards of excellence in the creative application of audio and music technology. A tribute band in Slash’s honor included Orianthi, Don Was, Alex Acuna and Kenny Aranoff.


“Happy,” Pharrell Williams

Lazaretto, Jack White

Sting & Paul Simon: On Stage Tour

56th Annual GRAMMY Awards


Game of Thrones

Call of Duty: Ghosts

Berklee College of Music, 160 Massachusetts Avenue, Boston, MA


API 505 DI 500-Series DI Module

PreSonus Capture for iPad

Apogee MiC 96k

Rupert Neve Designs Shelford 5052

Genelec 8010

Zoom H5 Handy Recorder

Line 6 POD HD Pro X

Grace Design m920 Monitoring System

Universal Audio Apollo Twin

Nord Lead A1

Native Instruments Razor 1.5

Dangerous Music The Dangerous Compressor

Rupert Neve Designs 551 EQ

iZotope RX3 Audio Repair Suite

Meyer Sound LYON

DPA Microphones d:screet Necklace

Neumann TLM 107

AKG K812 Headphones

Shure GLXD6 Guitar Pedal Receiver with Tuner

Steinberg Cubase 7.5

Solid State Logic Matrix 2

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For more information, visit